This blogging thing is hard. It’s so much easier to tweet.
How hard can 160 characters be? But blogging, you have to think and think and
think and think except of course, you’re stealing other people’s works. This is
not a shade o.
Since there are so many Nollywood movies these days, I’ll
talk about some every now and then. Mostly the ones I like.
So I watched Taxi driver aka Oko Ashewo. By the way, do you
people know that at some point Nigeria banned churches from registering two
names? Living Bright Church aka God Will
Do Great Things Ministries, Do Not Walk Alone Salvation Army aka Devil Is A
Liar ministries. The pastor who told me this said the Government had to
intervene before they run out of names. Imagine wanting to start a church and
all the names have been taken? You’ll now have to register Bring Your Offerings Here
Church or something like that. But I
digress.
Yes, Oko Ashewo. My
initial reaction was what am I doing here? This is a Yoruba film and it was
subtitled in pidgin. Pidgin! Who subtitles in Pidgin? Who even reads pidgin?
But I got over my initial shock or anger or whatever it was I was I was feeling
and settled down to enjoy the film. I read the pidgin subtitles and picked up
whatever Yoruba words I could. I’ve told
you people before that I love Yoruba people.
I don’t know if I can tell you exactly why I liked Taxi
driver but I did. Perhaps, I was jazzed, you know you Yoruba people like jazz,
at least that’s what your films make us believe ( I’m kidding o, don’t be so
sensitive, elections are over), I’m not sure what the story of the film really
was but it had enough moments and left a good taste in my mouth.
I particularly liked the feel of the film, the cinematography
was beautiful but I wished that the film had given us more because it could easily
have. For a film about Lagos night life,
we didn’t really see a lot of this life. The streets were practically empty all
the time apart from some secret things going on that even the audience weren’t privy
to. It also had a rather slow beginning.
The actors did a good job even though I felt Ijeoma Agu was underutilised.
She’s capable of so much more than was given to her. And dear Femi Jacobs, you
know I’m a fan but your next film choice is very important. If you continue to
play these type characters then you’re going to be type cast. Except you’re going
to own the type cast and just be the new Tony Umez( who remembers Tony Umez
washing I think Liz Benson’s underwear?) if you don’t want that, be careful
what role you play next.
Driving home after the film, I started to like the idea of
subtitling in pidgin, it was arrogant and I find arrogance sexy, you know like
this is how I want to do it, take it or leave it.
A year or two ago, Nollywood
set up an Oscar qualifying body or something like that. Unlike Nigeria
that sets up an award, then proceeds to give more than half the awards to other African
countries, Oyibo is not like that. All
you people from all other countries, you’ll be competing under the foreign
language film category and your film must be predominantly non-English. I feel
Taxi Driver could have stood a chance to represent Nigeria if it’d put in a bit more effort and if its
script had gone through a few more drafts what with its dusty feel and predominant use of Yoruba and Pidgin language
but alas.
I’d recommend Taxi Driver and commend Daniel Oriahi. He’s definitely
a director to watch out for.
